Email:
pia_schneider[at]berkeley[dot]edu
Mailing Address:
Philosophy Department
University of California, Berkeley
314 Philosophy Hall, MC 2390
Berkeley, CA 94720-2390
I am a PhD candidate in Philosophy at the University of California, Berkeley.
My primary research is on Kant's Theoretical Philosophy. I am also interested in the Modern Period more generally, in Aesthetics, and in Feminism.
Aside from my research I spend much of my time looking at art (all kinds, though especially contemporary art) and watching films (some of my all time favorites are Claire Denis' Beau Travail, Paul Thomas Anderson's There Will be Blood, and Wong Kar-Wai's Happy Together)
Education
PhD in Philosophy , University of California, Berkeley, expected May 2025
M.A. in Logic and Philosophy of Science, Ludwig-Maximilians University, Munich, 2016
B.A. in German Studies, minor in Philosophy, Johannes Gutenberg University, Mainz, 2013
Area of Specialization
Kant's Theoretical Philosophy
Areas of Competence
Early Modern Philosophy, Aesthetics, Feminism
Stipends, Fellowships, and Awards
• Summer Dissertation Writing Grant, UC Berkeley, Summer 2023
• Summer Stipend, Freie Universität, Summer 2023
• Travel Stipend for Summer School on the History of Space, Max Planck Institute, Summer 2023
• Travel Stipend, American Philosophy Association, Spring 2023
• Outstanding Graduate Student Instructor Award, UC Berkeley, Spring 2021
• Summer Stipend, UC Berkeley, Summer 2020
• Dissertation Completion Fellowship, UC Berkeley, 2019–2020
• Travel Stipend for Summer School on Kant, Mainz, Summer 2019
• Travel Stipend for Conference on Matter Theory on the Enlightenment, Duke, November 2018
• Travel Stipend for Summer School on Logic, Stockholm, November 2018
• Summer Stipend, University of Haifa, Summer 2018
• Summer Stipend, UC Berkeley, Summer 2017
• Ralph W. Church Fellowship, UC Berkeley, 2016–2017
My research focuses on Kant's theoretical philosophy. I am especially interested in the conception of space Kant puts forward in the Critique of Pure Reason. He argues that space is the form of our sensibility, our capacity to be affected by objects. This view is quite difficult to understand. I approach it by focusing on the question "What kind of difference does space make to how we conceptualize objects?"
I show how we gain insights into the role of space for our conception of objects by focusing on Kant's discussions of what he calls incongruent counterparts. These are objects that are similar in shape and equal in size, but which cannot be superimposed. An example is the pair of our left and right hand. Our left hand is pretty much of the same size as our right. And they seem to have the same shape (e.g., for every feature that I can point out on my left hand, I can find an exact corresponding one on my right, and vice versa). But they cannot be superimpsoed - a left-hand glove does not fit onto a right hand.
In my dissertation I explain how these objects reveal a role of space for our conception of objects. They show that space as a three-dimensional whole is prior to the objects of our cognition and makes them possible. Thinking of the whole of space as an overall system of organization, this means that the way in which objects together form an overall system is prior to the objects themselves and makes them (i.e., their determinate character) possible. This means that we conceptualize objects indirectly, by means of this system of organization. A way to frame this is that we conceptualize objects as parts of a common world. This view contrasts to a view held by Leibniz. According to Leibniz, space need not figure into our conception of objects. He does not think that we conceptualize objects indirectly as parts of a common world. Rather, Leibniz thinks that we conceptualize objects directly and as being (in a radical sense) independent of one another.
The following are abstracts for some papers that grow out of my dissertation research:
1. "How to Construct Hands. A Guide on the Essentials. (Recommended for Leibnizians)" (under review)
In his essay On the First Ground of the Distinction of Regions in Space from 1768 Kant argues that absolute space has a reality of its own, independent of bodies and as a ground of the compositeness of matter. Part of his argument is based on incongruent counterparts, objects that are similar in shape and equal in size, but which cannot be superimposed. An example of such objects is our left and right hand. According to a standard reading of this essay, Kant is giving an apagogic, i.e., an indirect argument. He is taken to argue for an absolutist, Newtonian conception of space by way of ruling out the Leibnizian alternative, according to which space comes down to relations among objects. Interpretations of this kind are given by Peter Remnant, John Earman, and Graham Nerlich, to name just a few. In this paper I argue for an alternative interpretation of Kant's argument. Instead of arguing for an absolutist conception by way of ruling out the Leibnizian alternative, I argue that Kant's claim is that the core idea of the Leibnizian conception, the idea of the situation [situs] of objects, presupposes space as an independent, three-dimensional whole. I make this point by focusing on two often neglected parts of the essay, a discussion of what Kant calls regions in space, and his explanation of how to construct the incongruent counterpart to an object such as a hand.
2. "How Sensibility's A Priori Form Matters" (draft available upon request)
In the Critique of Pure Reason, Kant argues that our cognition of objects does not only involve the faculty of understanding, that is, the faculty by means of which we can conceptualize objects. But he thinks that our sensibility, our faculty by means of which we can be affected by objects, contributes to our cognition as well. Sensibility, he argues, has its own a priori structures, so-called forms, that figure essentially into our cognition. One of these forms is space. In this paper, I argue that the main difference space, as the form of sensibility, makes to our cognition is that objects are conceptualized as parts of a common world. And I argue that this is the main point at which Kant deviates from Leibniz's view. For according to Leibniz we conceptualize objects as being independent of one another. I focus on a part of the Critique, commonly referred to as the Amphiboly. In this section, Kant contrasts his view of cognition to Leibniz's. Against the common view, held by, e.g., Derk Pereboom, that the main contrast Kant makes between his and Leibniz's view is with respect to the conceptual pair of inner and outer, I argue that Kant's discussion of the pair of matter and form reveals the basic contrast between Kant and Leibniz, and that this basic contrast concerns the difference that the priority of space as a whole makes for our conception of objects. I also draw on incongrunet counterparts in order to explain Kant’s point more concretely.
3. "Grasping Incongruence: Kant's Argument in §13 of the Prolegomena"
In §13 of the Prolegomena Kant argues that incongruent counterparts pose a paradox for a view according to which space and time are qualities of things in themselves. He argues that a solution of this paradox requires that objects must be thought of as appearances. I reconstruct Kant's argument drawing on the way in which he contrasts his model of cognition to Leibniz's in the Amphiboly. I argue that incongruent counterparts pose a paradox for a view according to which the intellect is the sole faculty of cognition because such a view conceptualizes the objects as being independent of one another. And I motivate Kant's solution, which says that the inner determination of such objects is only possible through their outer relation to space, as saying that our grasp of the difference between a left and a right hand reveals the need for a model according to which objects are conceptualized as parts of a world, and that this is ensured by taking our understanding to be conditioned by space as the form of our sensibility.
4. "Kant's Conception of Form in his Inaugural Dissertation"
Drawing on two of Kant's pre-critical writings, his Nova Dilucidatio from 1755, and his essay The Only Possible Proof of the Existence of God from 1763, I argue that the conception of form that Kant puts forward in his Inaugural Dissertation from 1770 is intended to address one of the main issues he sees in Leibniz's philosophy. According to Leibniz's conception of substances, i.e., monads, objects cannot really stand in any dynamical relations to one another. Any appearance of such a relation is merely due to a pre-established harmony. Hoping to work out a possible conception of substances and their origin that makes possible the formers' actual outward relatability, I explain how Kant's conception of form address this problem. I also explain how the view of the intellect that Kant holds in his Dissertation gets in the way of successfully overcoming this problem: as he himself realizes, he needs to change his view of the intellect as relating directly to things as they are in themselves.
5. "Against the Leibnizians: Euler and Kant on Absolute Space"
In a short essay from 1748, Euler argues for an absolutist conception of space. The basis for his argument is Newton's first law of mechanics, the law of inertia. A few years later, in an essay from 1768, Kant also argues for an absolutist conception of space. But Kant bases his argument on more geometrical considerations. In this essay Kant comments on Euler's argument saying that although Euler points to a difficulty with the major alternative conception to the Newtonian one, namely the Leibnizian conception, Euler's argument fails as it leaves unconsidered the difficulties that come with the application of the laws of motion in the concrete. In this paper I compare Euler's and Kant's arguments and argue that Kant's argument accomplishes where he sees Euler's argument failing.
Upcoming:
• How Sensibility’s Form Matters, Graduate Student Colloquium, UC Berkeley, December 2024
Past:
• How Sensibility’s Form Matters, Workshop on Kant and Hegel, Stanford, November 2024 (invited)
• How Sensibility’s Form Matters, PhilForum, UC Berkeley, October 2024 (invited)
• How to Construct Hands. A Guide on the Essentials. (Recommended for Leibnizians), Working Group with Alva Noë, UC Berkeley, October 2024
• Comments on I. Romero’s Do Inaccuracies Matter in Fiction, Berkeley-London Graduate Conference, UCL, May 2024
• Kant’s Criticism of Leibniz in the Amphiboly, Dissertation Seminar, UC Berkeley, Spring 2024
• Kant’s Criticism of Leibniz in the Amphiboly, PhilGem, UC Berkeley, November 2023
• Kant’s Criticism of Leibniz in the Amphiboly, Central APA, Denver, Symposium, February 2023
• Constructing a Counterpart, Dissertation Seminar, UC Berkeley, Fall 2022
• Reproduction One and Two, Working Group with Alva Noë, UC Berkeley, Fall 2022
• Conscience in Hegel’s Phenomenology of Spirit, Guest Lecture for A. Novakovic’s course on Hegel, UC Berkeley, Spring 2022
• Kant’s Conception of Space, PhilForum, UC Berkeley, Fall 2021 (invited)
• Kant’s Account of Beauty and Contemporary Art, PhilForum, UC Berkeley, Spring 2021 (invited)
• Kant’s Account of Beauty and Contemporary Art, Wollheim Society, UC Berkeley, Spring 2021
• Carnap’s Problem for the Intuitionistic Propositional Calculus, Haifa Logic Group, University of Haifa, Summer 2018
• Quantifying Epistemic Value, 2nd Munich Graduate Workshop, LMU Munich, Summer 2016
Current:
As Graduate Student Instructor at UC Berkeley:
• Ancient Philosophy (for John MacFarlane), Fall 2024
Upcoming:
• Modern Philosophy (for Kristin Primus), Spring 2025
Past:
As Primary Instructor at UC Berkeley:
• Individual Morality and Social Justice, Summer 2022
• Individual Morality and Social Justice, Summer 2021
As Graduate Student Instructor at UC Berkeley:
• Phenomenology (for Joseph Kassman-Tod), Summer 2024
• Metaphysics (for Geoff Lee), Spring 2024
• Philosophical Methods (for Geoff Lee), Fall 2023
• Modern Philosophy (for Kristin Primus), Spring 2023
• Heidegger (for Katharina Kaiser), Fall 2022
• Hegel (for Andreja Novakovic), Spring 2022
• Feminism and Philosophy (for Olivia Bailey), Fall 2021
• Kant (for Daniel Warren), Spring 2021
• Aesthetics (for Alva Noë), Fall 2020
• Introduction to Logic (for Wes Holliday), Summer 2019
• Leibniz (for Tim Crockett), Spring 2019
• Ancient Philosophy (for Tim Clarke), Fall 2018
• Introduction to Logic (for Wes Holliday), Summer 2018
• Knowledge and its Limits (for Wes Holliday), Spring 2018
• Individual Morality and Social Justice (for Hans Sluga), Fall 2017
• Introduction to Logic (for Richard Lawrence), Summer 2018